The experience of discovering one’s roots, as anyone who has done so can attest, is deeply grounding and often offers a change in perspective. Mai, who is known as Mia to her friends, has a name that captures the duality of life as a native of the California sand and sunshine with Vietnamese roots. The events in this book, however, occur in the latter location, where she accompanies her grandmother (Ba, in Vietnamese) to follow the trail of her Ong, or grandfather, who disappeared and was never heard from again during the Vietnamese War. It is the summer before 7th grade, and she is nervous about what is happening at her home, for some reasons that are often attributed to this age (read: crushes). Moreover, she dreads the prospect of spending most of her summer with her grandmother and people from Ong’s former village, to whom she may or may not be related. Alone, since her mother has decided, of course, to stay in California to prosecute an all-important case; her father, meanwhile, has left to practice surgery on children living in rural villages in the distant mountains of Vietnam. A detective has found possible evidence of where Ong went in the form of a former guard of his, when Ong was captured and sent to the North of Vietnam. The detective and his loquacity factor heavily in this story. However, the process of getting the guard to where Ba is, and persuading him to tell all of what he knows, takes forever. During which, Mai is forced to stay in a new and unfamiliar village acclimating to her surroundings. Understandably, this is something she’s none too happy to do. A moving premise. A fresh narrator. A summer that will be like no other. The themes that resonated with me were finding one’s roots, especially those that are far away, perhaps in another country. Learning about Vietnamese culture? A welcome addition. Seriously, learning about your culture, and your grandfather whom you never knew, only heard about is almost as fresh and engaging of a plot as is possible. Mai’s distinctive voice (teenager in a new, unfamiliar country) mostly helps the story along, but there are instances where it muddles up the story and the experience. All the reduced relative clauses and casual narration may force a few rereadings of those offending lines. What is supposed to be an easy read turns into a moderately-difficult one. The same can sometimes be said about the plot and pacing. While most of the time it emphasizes Mai’s new experiences and her becoming ever closer to her heritage and the people who are a part of, and near it, some of these just demonstrate her snarky attitude, acting as filler for the plot. Without trodding into spoiler territory, I can say that some of the things she brings over, while slightly funny, do nothing to move the plot forward (perhaps because the author felt the book would be too short to be meaningful?) This isn’t true, as Ba’s poetic stories—about meeting Ong, naming her children, learning about his disappearance—usually stretch for a page or more, but offer a deep and resonant connection to this person, searching for her husband after all these years—if anything, just to let go and move on. They end the chapters they are introduced in with a sense of finality, as both we and Mai ruminate over these words. Another possible gripe is that aside from Mai and Ut and Ba, many of the massive cast of characters are not fully developed. So if you enjoy picking up books with many diverse characters, you are out of luck. Let me introduce you to some of them. Her dad and mom could very well be totally absorbed by their work. We hear, very rightly, from Mai’s thoughts, that her father should be accompanying his mother on this trip, instead of leaving Mai to “take care” of her grandmother. We already see the connection between grandmother and granddaughter, so wouldn’t it be good to also see the bond between mother and son, even through a few sentences near the end? Instead, we only get a brief comment about how Mai’s father, Mua, meaning rain in Vietnamese, likely thinks his name is strange. I mean, come on. This book is definitely recommended for anyone who wants to learn about Vietnamese culture or Vietnamese history (particularly the Vietnam War), or has Vietnamese roots, or really anyone who has ever learned, or are planning to learn about one’s roots and the lives of one’s ancestors. Though not everyone will like the narration style or slightly-jumbled events, most all will like the heartfelt, original story of this poignant middle-grade novel.

The experience of discovering one’s roots, as anyone who has done so can attest, is deeply grounding and often offers a change in perspective. Mai, who is known as Mia to her friends, has a name that captures the duality of life as a native of the California sand and sunshine with Vietnamese roots. The events in this book, however, occur in the latter location, where she accompanies her grandmother (Ba, in Vietnamese) to follow the trail of her Ong, or grandfather, who disappeared and was never heard from again during the Vietnamese War. It is the summer before 7th grade, and she is nervous about what is happening at her home, for some reasons that are often attributed to this age (read: crushes). Moreover, she dreads the prospect of spending most of her summer with her grandmother and people from Ong’s former village, to whom she may or may not be related. Alone, since her mother has decided, of course, to stay in California to prosecute an all-important case; her father, meanwhile, has left to practice surgery on children living in rural villages in the distant mountains of Vietnam. A detective has found possible evidence of where Ong went in the form of a former guard of his, when Ong was captured and sent to the North of Vietnam. The detective and his loquacity factor heavily in this story. However, the process of getting the guard to where Ba is, and persuading him to tell all of what he knows, takes forever. During which, Mai is forced to stay in a new and unfamiliar village acclimating to her surroundings. Understandably, this is something she’s none too happy to do. A moving premise. A fresh narrator. A summer that will be like no other. The themes that resonated with me were finding one’s roots, especially those that are far away, perhaps in another country. Learning about Vietnamese culture? A welcome addition. Seriously, learning about your culture, and your grandfather whom you never knew, only heard about is almost as fresh and engaging of a plot as is possible. Mai’s distinctive voice (teenager in a new, unfamiliar country) mostly helps the story along, but there are instances where it muddles up the story and the experience. All the reduced relative clauses and casual narration may force a few rereadings of those offending lines. What is supposed to be an easy read turns into a moderately-difficult one. The same can sometimes be said about the plot and pacing. While most of the time it emphasizes Mai’s new experiences and her becoming ever closer to her heritage and the people who are a part of, and near it, some of these just demonstrate her snarky attitude, acting as filler for the plot. Without trodding into spoiler territory, I can say that some of the things she brings over, while slightly funny, do nothing to move the plot forward (perhaps because the author felt the book would be too short to be meaningful?) This isn’t true, as Ba’s poetic stories—about meeting Ong, naming her children, learning about his disappearance—usually stretch for a page or more, but offer a deep and resonant connection to this person, searching for her husband after all these years—if anything, just to let go and move on. They end the chapters they are introduced in with a sense of finality, as both we and Mai ruminate over these words. Another possible gripe is that aside from Mai and Ut and Ba, many of the massive cast of characters are not fully developed. So if you enjoy picking up books with many diverse characters, you are out of luck. Let me introduce you to some of them. Her dad and mom could very well be totally absorbed by their work. We hear, very rightly, from Mai’s thoughts, that her father should be accompanying his mother on this trip, instead of leaving Mai to “take care” of her grandmother. We already see the connection between grandmother and granddaughter, so wouldn’t it be good to also see the bond between mother and son, even through a few sentences near the end? Instead, we only get a brief comment about how Mai’s father, Mua, meaning rain in Vietnamese, likely thinks his name is strange. I mean, come on. This book is definitely recommended for anyone who wants to learn about Vietnamese culture or Vietnamese history (particularly the Vietnam War), or has Vietnamese roots, or really anyone who has ever learned, or are planning to learn about one’s roots and the lives of one’s ancestors. Though not everyone will like the narration style or slightly-jumbled events, most all will like the heartfelt, original story of this poignant middle-grade novel.

The author never said what the two towers were exactly, but most people think they refer to the strongholds of the antagonists in this book: Saruman and Sauron. The main characters visit the former during their journeys in this book, and the latter casts its shadow throughout the LotR: it is where Sauron searches for the ring--and Frodo--and sends his terrifying messengers, the Nazgul. If you haven't read the first book, it's not a good idea to read this one, unless you skipped it because it was too slow, in which case, this one would be a welcome surprise. It has the right amount of beautiful, well-placed descriptions that contribute to the epic fantasy tone; new and memorable characters (introducing Faramir, Boromir's brother; Theoden, the old and wise king, and many others); and more epic battles against Orcs, including Uruks, which are stronger and more lethal than the others. A brief synopsis: by the end of the first book, the fellowship has been sundered into three groups: Merry and Pippin; Legolas, Gimli, and Aragorn; and Frodo and Sam (and later, Gollum). The first is taken by Uruks (but they eventually escape, meeting new people). The second go out to look for them, but meet someone they weren't expecting (and later, they meet their missing friends at an unexpected location). The latter, whose story is only written about in the second part of the book, have escaped from Orcs and are determined to destroy the Ring. One thing readers might not appreciate is the occasional lack of character development. Aragorn accepts his role as king without hesitation, and Faramir is instantly wise and rejects the ring. And Legolas is always calm, subtly humorous and wry. However, I think Gollum makes up for it. He makes a promise to guide Frodo to Mordor, swearing on the one ring, and, for a long while he does. But you never really know if he's serious or not, and by the end, this racks up to the breaking point. Theoden, likewise, has a small, tragic character arc, first realizing the full extent of the danger, then setting out to destroy it, perhaps when it is too late. Sam is also surprisingly funny, especially during the famous potatoes moment, where he lectures Gollum about the virtues of vegetables. I admired the journey of Sam, how he matured even though he was unsure of himself, accompanying and staying loyal to Frodo. Also, readers will love/hate this book for its extensive descriptions that are sometimes hard to visualize and understand--expect lots about the setting sun, perhaps seven or eight. Others will appreciate their depth and tone; some of which stood out to me and will be hard to scrub from my brain. For example, Tolkien, compares the army of orcs to a field of wheat swept by the tide of war, which gives you an idea of the sort of genius he employed. Another thing: this book doesn't really start and end definitively: it continues from the last scene of The Fellowship of the Ring and ends with a scene that I'd best not divulge, but is a cliffhanger to say the least. It lacks a definitive storyline, with the ring bearer's story having an entirely different setting and action than the rest of the former fellowship, which might make it seem haphazard and all over the place to some readers. After half of the book has elapsed, the next we'll hear of Aragorn and his posse is at the start of The Return of the King. Aside from that, this is an almost-perfect middle book to a trilogy, or, to be correct, middle volume in the LotR. It has fewer slow moments than The Fellowship (however there are still some), and replaces them with action and battles, and dark, brooding dangers. It was full of adventure. It got me to love epic fantasy. It was an exceptional book. Truly exceptional.

The author never said what the two towers were exactly, but most people think they refer to the strongholds of the antagonists in this book: Saruman and Sauron. The main characters visit the former during their journeys in this book, and the latter casts its shadow throughout the LotR: it is where Sauron searches for the ring--and Frodo--and sends his terrifying messengers, the Nazgul. If you haven't read the first book, it's not a good idea to read this one, unless you skipped it because it was too slow, in which case, this one would be a welcome surprise. It has the right amount of beautiful, well-placed descriptions that contribute to the epic fantasy tone; new and memorable characters (introducing Faramir, Boromir's brother; Theoden, the old and wise king, and many others); and more epic battles against Orcs, including Uruks, which are stronger and more lethal than the others. A brief synopsis: by the end of the first book, the fellowship has been sundered into three groups: Merry and Pippin; Legolas, Gimli, and Aragorn; and Frodo and Sam (and later, Gollum). The first is taken by Uruks (but they eventually escape, meeting new people). The second go out to look for them, but meet someone they weren't expecting (and later, they meet their missing friends at an unexpected location). The latter, whose story is only written about in the second part of the book, have escaped from Orcs and are determined to destroy the Ring. One thing readers might not appreciate is the occasional lack of character development. Aragorn accepts his role as king without hesitation, and Faramir is instantly wise and rejects the ring. And Legolas is always calm, subtly humorous and wry. However, I think Gollum makes up for it. He makes a promise to guide Frodo to Mordor, swearing on the one ring, and, for a long while he does. But you never really know if he's serious or not, and by the end, this racks up to the breaking point. Theoden, likewise, has a small, tragic character arc, first realizing the full extent of the danger, then setting out to destroy it, perhaps when it is too late. Sam is also surprisingly funny, especially during the famous potatoes moment, where he lectures Gollum about the virtues of vegetables. I admired the journey of Sam, how he matured even though he was unsure of himself, accompanying and staying loyal to Frodo. Also, readers will love/hate this book for its extensive descriptions that are sometimes hard to visualize and understand--expect lots about the setting sun, perhaps seven or eight. Others will appreciate their depth and tone; some of which stood out to me and will be hard to scrub from my brain. For example, Tolkien, compares the army of orcs to a field of wheat swept by the tide of war, which gives you an idea of the sort of genius he employed. Another thing: this book doesn't really start and end definitively: it continues from the last scene of The Fellowship of the Ring and ends with a scene that I'd best not divulge, but is a cliffhanger to say the least. It lacks a definitive storyline, with the ring bearer's story having an entirely different setting and action than the rest of the former fellowship, which might make it seem haphazard and all over the place to some readers. After half of the book has elapsed, the next we'll hear of Aragorn and his posse is at the start of The Return of the King. Aside from that, this is an almost-perfect middle book to a trilogy, or, to be correct, middle volume in the LotR. It has fewer slow moments than The Fellowship (however there are still some), and replaces them with action and battles, and dark, brooding dangers. It was full of adventure. It got me to love epic fantasy. It was an exceptional book. Truly exceptional.

The characters in this 18th-century novel, essentially social commentary about the preoccupation with marriage during the time of the book's publication, seemed astonishingly fresh and real. This is due to the intricacies of their character traits and emotions—a testament to Austen's skill as a novelist. The overarching idea of the novel, though, is simple enough: marriage. Since the whole of the Bennet children are at marrying age and female, which, at the time, meant that their financial security depended on marrying well, and also because their father's estate will be passed down to their cousin, much of the novel details interactions between them and potential suitors, focusing on playful Lydia, attractive Jane, and contemplative Elizabeth, the protagonist of this novel. The story opens with the arrival of one such young man: Mr. Bingley, a rich person who has just rented the estate down the street. His friend, Mr. Darcy, however, is rejected as a rude, stuck-up man; but on the other hand, Mrs. Bennet is overcome with the wish, however unlikely it may seem, of Mr. Bingley marrying Jane. Indeed, she might have succeeded, had Bingley's two sisters, Miss Bingley and Mrs. Hurst, not intervened. Meanwhile, Mr. Darcy's affection for Elizabeth grows, but she remains oblivious. One day, Bingley decides to go to London; this news is tragic to not only Mrs. Bingley but also Jane, who'd begun to develop feelings for him. Much more happens, but in the end, at least some of the characters do end up married, and they experience a shocking scandal. This book, what with its length and lengthy descriptions and formal sentence structure, will appeal to those who like detail sprinkled in their books. Moreover, these sentences are playful and ironic, particularly portrayals of Mrs. Bennet and the Bingley sisters, one of whom has a crush on Mr. Darcy. It's also perfect for those who want to take a look into the lives of women in the gentry class of Regency England, when people rode horse-drawn carriages and society imposed strict rules regarding women's behavior. In contrast, those who do not like this book will probably attribute this dislike to a simple thing: there is not enough action in the book— several parts are devoid really of anything like that at all. Also, you may not like this book if you prefer clear, concise plots (at times the main character, Elizabeth, seems to be hopping around from place to place). There is also use of heavy passages of dialogue to show the characters' thoughts, traits, and emotions. So, if you are not a fan of those things, go read something else. But if you enjoy reading about character interactions and humorous, complex, characters, go ahead and pick up this classic book, considered a monumental work of British literature.

The characters in this 18th-century novel, essentially social commentary about the preoccupation with marriage during the time of the book's publication, seemed astonishingly fresh and real. This is due to the intricacies of their character traits and emotions—a testament to Austen's skill as a novelist. The overarching idea of the novel, though, is simple enough: marriage. Since the whole of the Bennet children are at marrying age and female, which, at the time, meant that their financial security depended on marrying well, and also because their father's estate will be passed down to their cousin, much of the novel details interactions between them and potential suitors, focusing on playful Lydia, attractive Jane, and contemplative Elizabeth, the protagonist of this novel. The story opens with the arrival of one such young man: Mr. Bingley, a rich person who has just rented the estate down the street. His friend, Mr. Darcy, however, is rejected as a rude, stuck-up man; but on the other hand, Mrs. Bennet is overcome with the wish, however unlikely it may seem, of Mr. Bingley marrying Jane. Indeed, she might have succeeded, had Bingley's two sisters, Miss Bingley and Mrs. Hurst, not intervened. Meanwhile, Mr. Darcy's affection for Elizabeth grows, but she remains oblivious. One day, Bingley decides to go to London; this news is tragic to not only Mrs. Bingley but also Jane, who'd begun to develop feelings for him. Much more happens, but in the end, at least some of the characters do end up married, and they experience a shocking scandal. This book, what with its length and lengthy descriptions and formal sentence structure, will appeal to those who like detail sprinkled in their books. Moreover, these sentences are playful and ironic, particularly portrayals of Mrs. Bennet and the Bingley sisters, one of whom has a crush on Mr. Darcy. It's also perfect for those who want to take a look into the lives of women in the gentry class of Regency England, when people rode horse-drawn carriages and society imposed strict rules regarding women's behavior. In contrast, those who do not like this book will probably attribute this dislike to a simple thing: there is not enough action in the book— several parts are devoid really of anything like that at all. Also, you may not like this book if you prefer clear, concise plots (at times the main character, Elizabeth, seems to be hopping around from place to place). There is also use of heavy passages of dialogue to show the characters' thoughts, traits, and emotions. So, if you are not a fan of those things, go read something else. But if you enjoy reading about character interactions and humorous, complex, characters, go ahead and pick up this classic book, considered a monumental work of British literature.